Venta de Entradas

Venta de entradas Taquilla en línea o bien en el Palacio Santa Chiara de 10:00 a 20:30 los días de los conciertos. Mapa
Lugar

PalazzoSanta Chiara Los conciertos se realizan en el magnífico Teatro del Palazzo Santa Chiara, situado en el interior de un edificio histórico en el centro de Roma, a solo 100 metros a pie del Panteón. 1 2 3 3 4 5 6 7 8 Dirección Palazzo Santa Chiara Piazza di Santa Chiara, 1400186 Roma Información y Reservas […]
Inicio

El GranConcierto de Ariasde Óperas ToscaLa TraviataLas cuatro estaciones La magia de la ópera en el corazón de Roma Disfruta las extraordinarias arias de Ópera y los temas de música clásica más famosas compuestas por los más geniales compositores italianos – Verdi, Rossini, Puccini, Vivaldi, Leoncavallo, Mascagni – y disfruta de las canciones napolitanas de fama mundial. Foto […]
Programa
Programa LOS CONCIERTOS EMPIENZAN A LAS 7:30 PM Todo el año El programa es presentado por un cuarteto de cuerdas que acompañan a solistas tenores y sopranos. “Adagio” Concerto in DO min Benedetto Marcello“Qui la voce sua soave” from “I Puritani” Vincenzo Bellini“Minuetto” for String Quartet Luigi Boccherini“E lucevan le stelle” from “Tosca” Giacomo Puccini “Spring” (Allegro) from […]
The history of the Overtures: when first impressions count

You never get a second chance to make a first impression! Thankfully this isn’t always true, but a good start definitely matters a lot. There are many operas with famous and highly appreciated overtures and some of them maintain their position in the top ten greatest overtures ever. The overture is simply an instrumental piece […]
Pietro Mascagni: the composer and the conductor

Pietro Mascagni enjoyed immense success during his lifetime, both as a composer and conductor of his own and other people’s music. He wrote fifteen operas, an operetta, several orchestral and vocal works, and also songs and piano music. His 1890 masterpiece Cavalleria rusticana (1890) has marked the opera history and single-handedly ushered in the Verismo […]
Stabat Mater: Rossini’s sacred masterpiece

Performed for the first time in Paris at the Théâtre-Italien’s Salle Ventadour on 7 January 1842, the Stabat Mater is one of Rossini’s most beloved works, considered by many to be his authentic masterpiece. Poised between sacred music and opera, the composition recalls the more mature Rossini’s operatic style in vocal writing and highly refined […]
UNESCO: Italy candidate Italian opera as an intangible heritage of humanity

Last month in Rome during an online meeting chaired by Franco Bernabè, the Board of Directors of the UNESCO Italian National Commission approved an Italian application to be submitted to the Intergovernmental Committee for the Safeguarding of Intangible Cultural Heritage for the 2023 cycle: “The Art of the Italian Opera Singing”. Intangible cultural heritage is […]
Le comte Ory: Rossini’s comic masterpiece

Le comte Ory is one of Gioachino Rossini’s late operas written in 1828, a comic masterpiece, a mixture of risky situation and indelicate suggestion, mediaeval chivalry and musical elegance. The French libretto was by Eugène Scribe and Charles-Gaspard Delestre-Poirson adapted from a comedy they had first written in 1817. Six pieces of the music originates […]
William Tell: Rossini’s last opera

Rossini’s William Tell is a French-language opera in four acts to a libretto by Victor-Joseph Étienne de Jouy and L. F. Bis. At the age of 37 Rossini composed this last opera, a great work originally planned for 1828, but it took until August 1829 for the first performance by the Paris Opéra at the […]